A surreal, digitally rendered scene of numerous stilted huts with thatched roofs arranged in a precise, geometric pattern over a dark body of water. Wooden canoes are scattered between the structures, and small ladders lead up to each hut. The lighting casts dramatic shadows, emphasizing the repetition and density of the floating settlement.

Poisoned City

A speculative reflection on environmental destruction and human resilience in Ghana's illegal mining crisis.

A speculative reflection on environmental destruction and human resilience in Ghana's illegal mining crisis.

A speculative reflection on environmental destruction and human resilience in Ghana's illegal mining crisis.

Tracing a Crisis.

Over the past two decades, Ghana has faced an escalating environmental crisis driven by the rise of illegal gold mining, known locally as galamsey. Once a localized practice, galamsey has grown into a widespread, unregulated force. The effects have scarred landscapes, poisoned rivers, and destabilized rural communities. Its unchecked spread, especially over the last eight years, reflects a deeper failure of regulation, equity, and ecological stewardship.

Over the past two decades, Ghana has faced an escalating environmental crisis driven by the rise of illegal gold mining, known locally as galamsey. Once a localized practice, galamsey has grown into a widespread, unregulated force. The effects have scarred landscapes, poisoned rivers, and destabilized rural communities. Its unchecked spread, especially over the last eight years, reflects a deeper failure of regulation, equity, and ecological stewardship.

Over the past two decades, Ghana has faced an escalating environmental crisis driven by the rise of illegal gold mining, known locally as galamsey. Once a localized practice, galamsey has grown into a widespread, unregulated force. The effects have scarred landscapes, poisoned rivers, and destabilized rural communities. Its unchecked spread, especially over the last eight years, reflects a deeper failure of regulation, equity, and ecological stewardship.

Aerial view of the Tano River in Ghana, its water visibly polluted with a muddy orange hue. The surrounding landscape is scarred by numerous illegal mining sites, with patches of bare earth, excavation pits filled with stagnant water, and makeshift roads cutting through the greenery. Dense forest borders the disrupted terrain, and hills stretch into the distance under a cloudy sky.
Aerial view of the Tano River in Ghana, its water visibly polluted with a muddy orange hue. The surrounding landscape is scarred by numerous illegal mining sites, with patches of bare earth, excavation pits filled with stagnant water, and makeshift roads cutting through the greenery. Dense forest borders the disrupted terrain, and hills stretch into the distance under a cloudy sky.
Aerial view of the Tano River in Ghana, its water visibly polluted with a muddy orange hue. The surrounding landscape is scarred by numerous illegal mining sites, with patches of bare earth, excavation pits filled with stagnant water, and makeshift roads cutting through the greenery. Dense forest borders the disrupted terrain, and hills stretch into the distance under a cloudy sky.
Aerial view of the Tano River in Ghana, its water visibly polluted with a muddy orange hue. The surrounding landscape is scarred by numerous illegal mining sites, with patches of bare earth, excavation pits filled with stagnant water, and makeshift roads cutting through the greenery. Dense forest borders the disrupted terrain, and hills stretch into the distance under a cloudy sky.
Aerial view of the Tano River in Ghana, its water visibly polluted with a muddy orange hue. The surrounding landscape is scarred by numerous illegal mining sites, with patches of bare earth, excavation pits filled with stagnant water, and makeshift roads cutting through the greenery. Dense forest borders the disrupted terrain, and hills stretch into the distance under a cloudy sky.

Aerial shot of the polluted Tano River. Illegal mines pockmark the surrounding landscape. Source: CNN

Drawing Destruction, Adaptation, and Loss.

'Poisoned City' is a visual reflection on the long-term consequences of galamsey. Through three speculative drawings, it documents the current realities and envisions future possibilities.

'Poisoned City' is a visual reflection on the long-term consequences of galamsey. Through three speculative drawings, it documents the current realities and envisions future possibilities.

'Poisoned City' is a visual reflection on the long-term consequences of galamsey. Through three speculative drawings, it documents the current realities and envisions future possibilities.

Drawing I - Reality

A depiction of the brutal conditions inside a galamsey mine. Children, often exploited for labor, appear as silhouettes against a contaminated landscape. The scene captures the immediate human toll and mourns the lives lost in the pursuit of informal wealth.

A depiction of the brutal conditions inside a galamsey mine. Children, often exploited for labor, appear as silhouettes against a contaminated landscape. The scene captures the immediate human toll and mourns the lives lost in the pursuit of informal wealth.

A depiction of the brutal conditions inside a galamsey mine. Children, often exploited for labor, appear as silhouettes against a contaminated landscape. The scene captures the immediate human toll and mourns the lives lost in the pursuit of informal wealth.

A speculative illustration of an illegal mining site, with reddish earth and shadowy silhouettes of workers—some carrying baskets, others crouched by contaminated water. Scattered mining tools like pans, hard hats, and a wheelbarrow suggest labor and danger amid environmental degradation.
A speculative illustration of an illegal mining site, with reddish earth and shadowy silhouettes of workers—some carrying baskets, others crouched by contaminated water. Scattered mining tools like pans, hard hats, and a wheelbarrow suggest labor and danger amid environmental degradation.
A speculative illustration of an illegal mining site, with reddish earth and shadowy silhouettes of workers—some carrying baskets, others crouched by contaminated water. Scattered mining tools like pans, hard hats, and a wheelbarrow suggest labor and danger amid environmental degradation.
A speculative illustration of an illegal mining site, with reddish earth and shadowy silhouettes of workers—some carrying baskets, others crouched by contaminated water. Scattered mining tools like pans, hard hats, and a wheelbarrow suggest labor and danger amid environmental degradation.
A speculative illustration of an illegal mining site, with reddish earth and shadowy silhouettes of workers—some carrying baskets, others crouched by contaminated water. Scattered mining tools like pans, hard hats, and a wheelbarrow suggest labor and danger amid environmental degradation.
Digital rendering of a flooded landscape filled with stilted, thatch-roofed structures arranged in rhythmic rows. Small wooden canoes float in the dark water below, evoking a city submerged by rising waters or human-caused flooding.
Digital rendering of a flooded landscape filled with stilted, thatch-roofed structures arranged in rhythmic rows. Small wooden canoes float in the dark water below, evoking a city submerged by rising waters or human-caused flooding.
Digital rendering of a flooded landscape filled with stilted, thatch-roofed structures arranged in rhythmic rows. Small wooden canoes float in the dark water below, evoking a city submerged by rising waters or human-caused flooding.
Digital rendering of a flooded landscape filled with stilted, thatch-roofed structures arranged in rhythmic rows. Small wooden canoes float in the dark water below, evoking a city submerged by rising waters or human-caused flooding.
Digital rendering of a flooded landscape filled with stilted, thatch-roofed structures arranged in rhythmic rows. Small wooden canoes float in the dark water below, evoking a city submerged by rising waters or human-caused flooding.

Drawing II - Adaptation

Drawing II - Adaptation

Drawing II - Adaptation

A speculative future where toxic waters have overtaken villages. Homes rise on stilts. Boats replace roads. Communities survive, but at great environmental cost. The image reflects both resilience and deep systemic failure.

A speculative future where toxic waters have overtaken villages. Homes rise on stilts. Boats replace roads. Communities survive, but at great environmental cost. The image reflects both resilience and deep systemic failure.

A speculative future where toxic waters have overtaken villages. Homes rise on stilts. Boats replace roads. Communities survive, but at great environmental cost. The image reflects both resilience and deep systemic failure.

Drawing III - Loss

Cultural and ecological collapse is rendered through imagery of once-iconic vegetation, cocoa trees, now displayed as relics in museum vitrines. A severing of land and memory. A stark warning of what exploitation erases.

Cultural and ecological collapse is rendered through imagery of once-iconic vegetation, cocoa trees, now displayed as relics in museum vitrines. A severing of land and memory. A stark warning of what exploitation erases.

Cultural and ecological collapse is rendered through imagery of once-iconic vegetation, cocoa trees, now displayed as relics in museum vitrines. A severing of land and memory. A stark warning of what exploitation erases.

Imagined museum-like grid of glowing glass cubes, each containing a different extinct plant specimen. Human figures wander through the dark, reflective space, suggesting a future where nature is preserved only behind glass.
Imagined museum-like grid of glowing glass cubes, each containing a different extinct plant specimen. Human figures wander through the dark, reflective space, suggesting a future where nature is preserved only behind glass.
Imagined museum-like grid of glowing glass cubes, each containing a different extinct plant specimen. Human figures wander through the dark, reflective space, suggesting a future where nature is preserved only behind glass.
Imagined museum-like grid of glowing glass cubes, each containing a different extinct plant specimen. Human figures wander through the dark, reflective space, suggesting a future where nature is preserved only behind glass.
Imagined museum-like grid of glowing glass cubes, each containing a different extinct plant specimen. Human figures wander through the dark, reflective space, suggesting a future where nature is preserved only behind glass.
Call for Reckoning.

Together, these drawings ask viewers to reflect on the long-term consequences of unchecked exploitation. What happens when environmental degradation becomes irreversible? Who pays the price? And what does it mean to preserve culture in the face of collapse?

Together, these drawings ask viewers to reflect on the long-term consequences of unchecked exploitation. What happens when environmental degradation becomes irreversible? Who pays the price? And what does it mean to preserve culture in the face of collapse?

Together, these drawings ask viewers to reflect on the long-term consequences of unchecked exploitation. What happens when environmental degradation becomes irreversible? Who pays the price? And what does it mean to preserve culture in the face of collapse?

Poisoned City calls for sustainable futures that acknowledge the cost of extraction and reimagine paths toward ecological balance and justice.

Poisoned City calls for sustainable futures that acknowledge the cost of extraction and reimagine paths toward ecological balance and justice.

Poisoned City calls for sustainable futures that acknowledge the cost of extraction and reimagine paths toward ecological balance and justice.

MADE WITH

Blender, Photoshop, Lightroom, visual storytelling

TEAM

Shameemah Fuseini-Codjoe

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